Hibla gerzmava in metropolitan

Of Ms. She moped, she paced, she moaned and she grimaced. It was like three hours of Carol Burnett sending up Bette Davis. A more thoughtful and critical staging of this gruesome fairy tale might better suit soprano Christine Goerkewho sang the title role at the Met for the first time on Wednesday night. She found more detail and nuance in the character of the man-hating princess than anyone since Eva Marton nearly three decades ago.

Though Ms. The first week of the season came full circle Saturday night when Il Trovatore returned, this time in Bushwick among a pocket-sized program of Verdi scenes presented by the fascinating LoftOpera. From tiny platforms dotting the Muse performance space, a quartet of singers sang above, among and behind a capacity audience crowding wooden benches.

The audience, a mix of hipsters and more traditional read: older opera mavens sat rapt, listening up close to big, if not perfectly polished voices from only a few feet away. Cream of the as-always rich crop of LoftOpera artists was Karolina Piloua statuesque mezzo with a massive, sinfully rich voice. I hope my cranky colleague got a chance to hear Ms.

It would be fun to witness his snark stifled twice in one week. We get it: you like to have control of your own internet experience. Camille du Locle —who collaborated on the scenario with Mariette and suggested the story to Verdi, had worked with the composer on the libretto of Don Carlos. The score of Aida is a sophisticated example of Italian Romanticism, imbued with a convincingly mysterious and exotic hue.

Making no claims to authenticity, Verdi created a unique musical palette for this opera. The grandeur of the subject is aptly conveyed with huge patriotic choruses, most notably the unforgettable Triumphal Scene in Act II. Oct 06, Visit us in the opera house and online for an unparalleled array of CDs, DVDs, and opera collectibles.

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Hibla gerzmava in metropolitan

Stanislavsky and Vl. The piano teacher recognized an extraordinary singing gift in Hibla. Khibla was born in Pitsunda, studied at a music school in Gagra, and then continued her musical education at the Sukhumi Music College as a pianist, without thinking about a career as a singer. The piano teacher was able to discern an extraordinary singing talent in his student and took Khibla to the vocal class of Josephine Bumburidi.

Hibla graduated from the vocal department of the Moscow State Conservatory. Graduated from graduate school at the Conservatory in the class of Professor Maslennikova. A serious musical education, in which a brilliant vocal school is combined with the background of an instrumentalist, helps the singer to subtly understand and feel the musical text.

She is always in an ensemble, be it piano, organ or orchestra. While still a student at the Moscow Conservatory, Khibla became a laureate of several famous vocal competitions:. Tchaikovsky among vocalists. International Vocal Competition named after N. Hibla Gerzmava has been a part of productions by renowned directors. She has collaborated with leading Russian orchestras and has performed with Denis Matsuyev, Nikolai Lugansky, Alexander Rudin many times.

Performances followed one after another in:. Bavarian opera. Among the roles performed in are Norma in the new production of the Royal Opera of Madrid and Leonora in the Teatro Liceu, also in the new production of the play, where her performance was recognized as outstanding, and critics noted the extraordinary musicality and acting talent of the singer.